Unknown Bust of the Architect Who Designed the Florence Cathedral Dome Found After 700 Years 

This image released by the Opera di Santa Maria del Fiore on Thursday, May 23, 2024, shows a terracotta portrait of Florence landmark cathedral's architect Filippo Brunelleschi dating back to the early Renaissance, which was recently found among the furnishings of an historic residence near the Tuscan capital. (Opera di Santa Maria del Fiore via AP, HO)
This image released by the Opera di Santa Maria del Fiore on Thursday, May 23, 2024, shows a terracotta portrait of Florence landmark cathedral's architect Filippo Brunelleschi dating back to the early Renaissance, which was recently found among the furnishings of an historic residence near the Tuscan capital. (Opera di Santa Maria del Fiore via AP, HO)
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Unknown Bust of the Architect Who Designed the Florence Cathedral Dome Found After 700 Years 

This image released by the Opera di Santa Maria del Fiore on Thursday, May 23, 2024, shows a terracotta portrait of Florence landmark cathedral's architect Filippo Brunelleschi dating back to the early Renaissance, which was recently found among the furnishings of an historic residence near the Tuscan capital. (Opera di Santa Maria del Fiore via AP, HO)
This image released by the Opera di Santa Maria del Fiore on Thursday, May 23, 2024, shows a terracotta portrait of Florence landmark cathedral's architect Filippo Brunelleschi dating back to the early Renaissance, which was recently found among the furnishings of an historic residence near the Tuscan capital. (Opera di Santa Maria del Fiore via AP, HO)

A previously unknown terracotta bust of the famed early Renaissance architect who designed the Florence Cathedral dome was unveiled Thursday in the Tuscan capital, where it will be displayed permanently following restoration.

The Opera di Santa Maria del Fiore, the entity charged with preserving the landmark cathedral and operating its museum, called the discovery after nearly 700 years of the terracotta bust depicting Filippo Brunelleschi “exceptional.” It cited both the artistic value as well as the rarity of depictions of the renowned architect around or after the time of his death in 1446.

Art historians Giancarlo Gentilini and Alfredo Bellandi identified the sculpture as a model by Andrea di Lazzaro Cavalcanti for the marble bust of Brunelleschi in the memorial monument in the Florence Cathedral.

Bellandi praised the work’s “expressive naturalism of great intensity.”

Cavalcanti, Brunelleschi’s adopted son and heir, sculpted the life-like bust from a nearly solid block of clay in early 1447, before completing the monument later that year, experts said.

The terracotta model was likely stored in the sculptor’s workshop for study for a period, while the state of preservation indicates it was long preserved before it “later fell into oblivion,” the cathedral’s custodian entity said.

The Opera di Santa Maria del Fiore purchased the terracotta bust for 300,000 euros (around $324,000). It will be exhibited in the Museo dell’Opera del Duomo near the cathedral after restoration work on scratches and to remove a chalky residue and traces of paint.



Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage
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Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

The Ministry of Culture announced the launch of two new typefaces, the Al-Awwal and the Saudi. Both typefaces, which celebrate the Kingdom’s culture, will be available to individuals and organizations wishing to use them in formal, design, artistic and creative works, according to SPA.
The Ministry of Culture worked to implement the Al-Awwal and the Saudi typefaces, inspired by using the distinctive artistic features of Arabic script, to preserve the characteristics of early calligraphy and inscriptions. Al-Awwal is a thoughtful reimagining of a handwriting style that takes many of its cues from the inscriptions of the first Hijri century. The Al-Awwal typeface integrates modern calligraphy techniques to closely emulate the letter forms in the early stages of development, connecting the present with the origins, foundations and early history of the region.

The Saudi typeface is partly inspired by Al-Awwal and embodies creative ingenuity whilst maintaining the aesthetic of the Kingdom’s historical heritage.
Minister of Culture Prince Bader bin Abdullah bin Farhan said: "The launch of the Al-Awwal and Saudi typefaces is a tribute to the Kingdom's vast cultural and aesthetic heritage. Each typeface serves as a bridge between the past and the present, merging traditional elements with contemporary design principles. This harmonious blend not only honors the Kingdom’s legacy but also inspires innovation.”
The development of the two typefaces began with a historical foundation and archaeological elements, representing the ancient Arabic writings, and reflecting the style of ancient scripts. Both typeface designs are based on creative thinking and interdisciplinary integration among manuscript studies, art history, linguistics, design and digital programming. Designed to celebrate the beauty of Arabic calligraphy, these typefaces enhance aesthetic proportions and spacing between letters, words, lines, dots and diacritics.